This is not a Song,
but
I am Singing
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Poetry
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This collection of work from poetic virtuoso J.A. Carter-Winward flows with a more lyrical style, as opposed to the more direct and stark language of her previous work.
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But don’t be fooled.
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Carter-Winward continues to show us that she is capable of running you through the gamut of emotions.
And forget thinking she is, in any way, polite about it.
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With imagery moving from brutally raw to stunning and majestic, her use of metaphor proves she has the literary chops to hold her own in any genre.
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Hardly demure, and most certainly not dulcet, Carter-Winward manages to capture the melody in dissonance, find the sacred within the profane, while turning the grit of existence into honey for the ear and mind as she pulls you, with words, into her exploration of the joys and carnage of her—and our—humanity.
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Far from “inaccessible,” a common complaint for the MFA-less reader, have no fear: you will feel her words seep inside you and resonate, strumming chords that reside deep within.
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Although J.A. Carter-Winward has shown us her ability to shriek, howl, and roar, in this new collection, Carter-Winward shows us in no uncertain terms that she can also, without a doubt, sing.
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Sample poems from This is Not a Song...
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abandoned
our love
is an abandoned building—
people walk by
and are amazed
it still stands.
no one can see inside
not even you and i—
the vulnerable places are boarded up,
the entrance barred
not only by a lock and chain
but by words nailed to the wood,
etched in,
words that can’t ever be undone
even if we tear the paper down.
so when we broke inside,
i wanted to see if the carpet was lighter
where our bed had been—
i needed to see if the bath had a ring
honoring our vows.
i looked for your favorite chair
and how the impression of it
must surely still reside near the fireplace
holding ashes of something stoked too long ago.
it’s not the foundation that’s gone soft.
that was always sturdy—
it’s when we added on,
got greedy,
we took short cuts
where the work should have been
long and steady
maybe we start over.
maybe we demolish and
rebuild--
or
do we remain squatters
surviving on the glory days
of fragrant cooking smells from the kitchen
and a roof
that didn’t leak when it rained.
©jacw
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Morning After
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(for Krista)
The way your legs parted in that sunlit room—
And the way your lips played with the promise of a smile
Shadow and bright made you a piebald doll
On endless sheet with cat hair and wrinkles of entwined bodies.
Your smile was lazy and your breath hot; your nipples
Were flat but your back arched in that hallelujah moment
When I slid like a tongue-and-groove wood slat between
Your knees and told you that the sun had made your hair catch fire
Then you looked at me and your eyes became soft and unreadable
But then they closed and told me everything I needed to know.
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©jacw
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fly fishing
i tie on a fly that’s red
tight, matching lipstick
and quick smile
hair flip and sparkle
in left eye
i tie the fly and i cast.
i am surprised when i land
a six footer
who wants to take off
all my red
and nibble my neck.
i am surprised that he
wants to flop around on satin sheets
and whisper things
about my tits.
but it’s too late now—
i can’t catch him with anything else
but i am still surprised when i untie that fly
and tie a small piece of soul to it
and tell him to eat up
but he can’t see it
he swims right on by
he’s looking for blood in the water
he is a shark.
i am surprised that sharks don’t
nibble at souls.
i am surprised that my small piece
is invisible
in this quickly
moving
river.
©jacw
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suffer the little children
come here, boy
i said
he ran to me at an angle,
face slanted to the ground
so i could only see
one shining hazel eye.
tell me about the world,
i said to his stricken face.
he looked at me then
and the black, blue and green
around his other eye
was like a fall decoration,
morose and wicked.
who did this to you,
i asked,
but the boy said
instead,
i will tell you about the world.
it is filled with sharp edges,
he began,
it is made up of barbed-wire words,
unkind eyes and stabbing laughter.
there is another kind of world, boy,
i told him.
but he only shook his head.
come with me and see, i said.
he flinched at my touch.
you are safe, now
i said.
he gazed at me for too long,
his eyelashes sweeping
like wind blowing through
a field of ripe wheat.
then he drew in the dirt
with his finger.
the children, he said,
they suffer.
i watched the boy walk away
and i didn't have enough arms
to cradle the hurts he carried
in each plodding step.
i didn't have a way to protect him
from the shards.
©jacw
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where you find poets
under a dusty shelf
between cracked pages
and under ancient stone stars
is where you’ll find poets.
we are not in
the place to be
we don’t wear versace—
we bleed from our hands.
pouring out visions
into thirsty mouths
and servicing hungry
word whores
is where you’ll find poets.
the exclusive soirees
eating canapés
you’ll not find us there.
we are below,
sinking in the silent, black street
as we bleed from our pens.
chiseling truth
in soap stone
with one eye on dirt
and the other on god
is where you’ll find poets.
we are trampled
on wall street, market street
and commerce place,
rubble under shoes of gold.
we bleed from our feet.
in back bedrooms
with fire escapes,
in plagued houses
with spider-webbed drapes,
in every trailing symphonic chord,
in all the world’s communal hoards
in the hurricane eyes and sheltering lees
the whisper of words through autumn trees
in tears of gratitude
mercy and latitude,
the holy place where we come to breed,
the holy cunt
the male seed
that is where you’ll find poets.
and we bleed from the heart—
but unlike the harpooned masses,
we ask you not
to stanch
the flow.
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©jacw